What Are Your Burning Questions About Publishing?
I'm creating a 6-week INTRO TO PUBLISHING course. What would you want to know? Who would you like to hear from? What are your burning questions about publishing?
Hey, everyone, thanks for being here. And, a very special welcome to my newest subscribers and followers. It’s GREAT to have you here.
Whether you’re new here or a long-time subscriber, please introduce yourself in the comments. And, if you write, please include links with your comment. Do you have a website? A Substack? A blog? A book? A digitally published piece? Please share your literary life with the rest of us. I love building community, and I’m always looking for new and established writers to interview for my Writers On Writing series!
I Need Your Help!
I’m designing a 6-week INTRO TO PUBLISHING course, and I’d love to know your burning questions about publishing.
Every question is valid. Nothing’s too basic or remedial.
Some of you are already published authors (many times over). Others may not move in literary circles but might still be curious about the path to publication. I’d love to hear all your questions.
I plan to premiere this INTRO TO PUBLISHING course at Northwestern University, and I also plan to offer it through this Substack.
So, please ask me anything! I’d really appreciate your input.
Here are just some of the topics I’m considering including. I’d love to know what you’d want to see prioritized:
1. Overview of the Publishing Industry
History and evolution of publishing
Differences between traditional, hybrid, and self-publishing
Key players: major publishers, independent presses, literary agents, and self-published authors
2. The Editorial Process
Acquisitions and how books get selected for publication
Developmental editing vs. copyediting vs. proofreading
The role of a literary agent and how book deals work
3. The Business of Publishing
How publishers make money (advances, royalties, rights sales)
Contract basics (royalty structures, subsidiary rights, agent negotiations)
Distribution and bookselling (bookstores, libraries, direct-to-consumer)
4. Book Production
Manuscript to finished book: formatting, typesetting, and printing
Cover design and interior layout
The impact of print-on-demand and digital-first models
5. Marketing & Publicity
Traditional vs. digital marketing strategies
Author branding and social media presence
Book launches, reviews, and media outreach
6. Self-Publishing & Indie Presses
Platforms (Amazon KDP, IngramSpark, Draft2Digital)
DIY vs. hiring professionals (editors, cover designers, formatters)
Building an audience without traditional support
7. The Digital Revolution
The rise of eBooks and audiobooks
Subscription models (Kindle Unlimited, Scribd, BookBub)
The role of AI and emerging tech in publishing
8. Ethics & Trends in Publishing
Diversity, equity, and inclusion in publishing
Censorship and book banning
Trends shaping the future (self-publishing, AI-generated content, sustainability)
Of the topics above, what are you most interested in hearing about?
Call For Published Authors, Publishing Execs, and Those In Roles That Support Writers On Their Paths To Publication
Do you like to speak about your experience? If so, please fill out this form. I’m looking to book guest speakers for my INTRO TO PUBLISHING COURSE.
For example, here’s my discussion with literary agent and publishing attorney Joe Perry of Perry Literary (you might have to click to watch it on YouTube):
Thanks for being a part of Writers’ Haven. I really look forward to your feedback.
Sincerely,
Christine
Christine Wolf is a memoir coach and founder of Writers’ Haven, a coworking space for women writers. A former board member of the Chicago chapter of the Society of Professional Journalists, Wolf’s writing has been awarded for excellence by the Chicago Tribune, the National Society of Newspaper Columnists, and The Moth. She’s a writing instructor at Northwestern University and runs Write to Heal Workshops and Retreats. A former freelance columnist with the Chicago Sun-Times and Chicago Tribune, she’s the co-author of Politics, Partnerships, & Power: The Lives of Ralph E. and Marguerite Stitt Church. Get in touch with Christine at www.christinewolf.com/contact
Hi Christine - I would love to know anything that would help a new writer. I've been writing for some years, but only managed to get published in a couple of Medium publications. All of my other attempts in traditional lit mags were rejected, but with feedback that let me know I should keep writing, which was nice, but frustrating. I currently have a Substack for professional posts (I'm a therapist) and recently returned to working on my memoir after being away for a couple of years. I'm so happy to be back working on it, but have great trepidation about moving forward with the editing and the agent and the possible publishing. It all feels very sort of mysterious and like you have to be connected to succeed. So maybe you could pull back the curtain a bit and provide some solid information about the process and how to approach it. Thank you for all you do for writers :)
Hi, Christine. Looking at your outline, and given where I am in the process of seeking representation for my memoir--I'm thinking the *Agent* process and the *Editor* process are two separate things in traditional publishing. Query-book proposal (incl. sample chapters) gets one signed with an agent; then the agent tries to get foot in the door with a publisher via an acquisitions editor. For author, agent, and editor, each process involves a different level and focus of editing and effort. So that's not a question--more of a reaction to the outline. The course looks amazing, especially for MA/MFA/PhD students who rarely get exposed to that information in the regular curriculum.
Q: Do agents (once they sign an author) re-work the author's proposal and customize it for each acquisitions editor they contact? Or do they customize only their own query/invitation to editors and use the same agency-branded proposal for all editors they contact?