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Vanessa Gunter's avatar

Hi Christine - I would love to know anything that would help a new writer. I've been writing for some years, but only managed to get published in a couple of Medium publications. All of my other attempts in traditional lit mags were rejected, but with feedback that let me know I should keep writing, which was nice, but frustrating. I currently have a Substack for professional posts (I'm a therapist) and recently returned to working on my memoir after being away for a couple of years. I'm so happy to be back working on it, but have great trepidation about moving forward with the editing and the agent and the possible publishing. It all feels very sort of mysterious and like you have to be connected to succeed. So maybe you could pull back the curtain a bit and provide some solid information about the process and how to approach it. Thank you for all you do for writers :)

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Andi Penner's avatar

Hi, Christine. Looking at your outline, and given where I am in the process of seeking representation for my memoir--I'm thinking the *Agent* process and the *Editor* process are two separate things in traditional publishing. Query-book proposal (incl. sample chapters) gets one signed with an agent; then the agent tries to get foot in the door with a publisher via an acquisitions editor. For author, agent, and editor, each process involves a different level and focus of editing and effort. So that's not a question--more of a reaction to the outline. The course looks amazing, especially for MA/MFA/PhD students who rarely get exposed to that information in the regular curriculum.

Q: Do agents (once they sign an author) re-work the author's proposal and customize it for each acquisitions editor they contact? Or do they customize only their own query/invitation to editors and use the same agency-branded proposal for all editors they contact?

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